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BRUTAL LEGEND FULL REVIEW for 360!

Unless you've been living under a rock for the past few years and missed recent marketing blitz and/or dismissed it out right because it looks an album cover from Iron Maiden circa 1983, you may not know that the latest title from Tim Schafer, Double Fine and published by EA, Brutal Legend is out today. Tim Schafer has already proven he can make games that are both entertaining and quirky. But with Brutal Legend, you might wager that playing a Roadie who is trying to liberate an enslaved Heavy Metal world that seems to exist in an alternate universe, might be a little too far out there, even for Schafer. Throw in a Heavy Metal sound track that would make the guy that runs the Tilt a Whirl ride at the traveling carnival squeal with delight like a little girl and you would be willing to bet your next paycheck that all but the most hardcore Schafer fans would be the only ones who would buy and enjoy Brutal Legend. Luckily, you would be wrong on all counts.

When Brutal Legend first loads on your 360, you don't start at a load screen but instead are thrown right into a full screen movie of Jack Black as he ushers us into the back room of a local record store (if you are unsure of what a record is, you may certainly Google it for info). Jack starts off by telling us of a special disc that's kept in the back with the rare titles. No one knows where it came from, even the old timers. After a quick search he locates the platter and offers to let us take a look if we can handle it. As the album is opened up and laid on the table, the game menu appears among the stereotypical old-school heavy metal style artwork of alien vistas, mountains of skulls and other bad ass, semi-demonic, rock imagery.

Starting a new game introduces us to Eddie Riggs (voiced perfectly by Jack Black). Eddie is the consummate roadie whose job is to take care of all the little details behind the scenes so the band can do its job: give the audience a rocking show. Unfortunately, Eddie's talent of stage and prop building, instrument repair and other knowledge is currently being squandered as he is working with a band that is so lame they make the Jonas Brother's look like AC/DC by comparison. An on stage accident causes Eddie's blood to be spilt and then he is transported to another place in a very dramatic and satisfying way. At this point the game asks if you want to bleep out the profanity and to tone down the gore in the game. Since this has an Mature Rating, it's nice to see that Double Fine offer players this option but make no mistake, even with the filtering turned on, it's not a recommended that you let the kids play or watch this game even for a second.

When Eddie wakes up he then finds himself lying on an altar. Stairs on either side of the altar lead to a lower level where robed figures are kneeling and chanting. Upon seeing the new arrival, the figures raise their heads, causing the hoods to fall back and reveal faces that are made primarily of teeth. Drawing wicked, curved daggers, the figures begin to move towards Eddie. This is where the player takes control of Eddie and after dodging the bad guys, you spy a double bladed axe embedded in a pile of bones nearby. This becomes your main melee weapon. You also retrieve a guitar that can be used for magical summons and ranged attacks. Fighting your way past the robed figures brings the house down around you, literally. During a break in the combat you get a look at your surroundings and see that you are at the top of a mountain made of huge skulls and bones in a Heavy Metal world. Muscle car parts litter the landscape and Gothic statues stand alongside the crumbling remains of a vast freeway system, which snakes its way through massive grasslands. It's all strange yet, somehow familiar.

At this point I realize I am grinning like an idiot (Ok fine, more so than normal) as it's clear that Brutal Legend is as much a homage to the great art of Frank Frazetta, Simon Bisley or the original Heavy Metal magazines as it is to the classic heavy metal from the late 70's and early 80's. What makes it work is that it's done with respect, a dash of humor and a wide variety of game play (I can definitely respect that - Ed. Vader). All punctuated with a classic metal soundtrack.

Eddie meets Ophelia, who is a dark-haired head banging beauty with enough mascara to make a raccoon jealous. Ophelia is part of a small resistance, fighting against the ruler of this land, General Lionwhyte. The two team up and decide it's time to flee as more enemies are swarming their way. After a bit more hack-and-slash combat, Eddie assembles a hot rod out of parts lying around the battlefield and he and Ophelia make a run for it. During these opening segments, gameplay varies between hand-to-hand combat, combating a massive boss creature with your car, using your guitar to summon a massive magical attack and then driving down a crumbling mountain road as you try to avoid obstacles and enemies alike. It's a rapid fire series of gameplay that leaves you breathless once it's over and wondering what could be next.

Once you are safely down the mountain, Ophelia recommends meeting Lars who is trying to form an army and break the hold of the evil LionWhyte. A spotlight shines on a point far off in the distance and this will serve as a beacon for you to follow to your next mission throughout the game. You can drive directly to the light to advance the plot line or scout around on your own to find side quests to complete. As you move through the game and complete missions, artwork and other features unlock and give you extra incentive to fully explore this new world. Also, you gain perks for upgrading combat moves, weapons or repainting your hot rod. This certainly helps increase the desire to explore the strange, yet beautiful landscapes.

Lars is the bare-chested, feather haired 'leader' who seems a bit reluctant and clueless on how to get the revolution started. Eddie recognizes that in order to mount a battle, you need warriors. The first members to fill the ranks are a bunch of long-haired, thick browed, head bangers with necks as thick as a side of beef, that spend their lives working in a quarry by, well, banging their heads to break the rocks. Serving as a kind of a tutorial, this mission teaches you how to play epic riffs on your guitar to perform special actions that include rallying the head bangers to your cause. You also learn how to command your long haired troops to attack specific targets, guard areas and rush to your side. This serves as prep for the strategic element of combat that makes up much of the game later on.

Even though this is essentially a tutorial, the gameplay is fun as you free the slaves, and try to take down the supervisors while learning the finer points of the expanding combat. And I appreciated the way Brutal Legend eased me into the more advanced features. Later the game takes a more strategic turn as you capture resource points to summon different kinds of troops to meet the enemy on the battle field. Other missions include hacking and slashing, racing your vehicles or if you prefer, you can mix it up in multiplayer with up to 8 players.

It's not all about combat however; the interaction between Eddie, his new troops and the supervisors of the quarry are well-scripted and funny at points. And the humor is not limited to the dialog. Having lived through the 80's, I find it especially funny that the main protagonist has a name that is similar to a not so popular hair band. Also, Lionwhyte is able to fly from place to place by flapping his, wait for it... hair. I am glad Schafer chose to go the 'Hair Band' route rather the less flattering 'Butt Rock' phrase. Sure Brutal Legend is a 'Mature' title but having Lionwhyte use his butt as a mode of transport would be pushing limits in a way I don't want to witness. The game gets its Mature rating thanks to the language which seems more prevalent at the start of the game and the graphic violence during combat. Limbs and heads get severed; blood gushes and spatters in viscerally satisfying ways. Again, this fits with the overall style of the game but it's not something for kids.

Something I have neglected to mention until this point is the character animations. The expressions are pleasingly well-preformed and for lack of a better word, expressive. Characters show a wide range of emotions as they converse with each other and although this does not happen very often in games, looks and reactions are able to convey points and feeling without a word having been spoken. It's yet another attention to detail that is the mark of a quality game. Coupled with the rich and colorful palette the overall look of the game is one that is as much fun to watch as it is to play.

While the classic Heavy Metal music that serves as background for the action scenes brings nostalgic smile to my face, it may not be to everyone else's liking. I would suggest you embrace the music as it adds to the overall setting of Brutal Legend. And who knows, as with the rhythm games that have flooded the market in recent years, you might find some golden oldies you will love. What I did take issue with was the fact that on the battlefield, your troops and the enemy grunts are sometimes difficult to tell apart when you are battling the same faction. The only different between your leather clad army and theirs is the pastel colors that other team wears. In the thick of battle I found that I would rush into a group of head bangers or rocker chicks and swing away like mad only to find out that the group was mostly composed of my troops. Also, as the game moves through the main story, the humor that was present front and center at the start falls a bit by the way side. It does not disappear completely but it does noticeably lessen.

I also found that controlling the vehicles in the game was a bit more difficult than I was used to. At first I would often confuse the camera control with the steering but this could be that I am more used to a mouse and keyboard than a controller. What can I say? I'm a PC whore (Don't be so hard on yourself - Ed. Vader). Finally, the game is a bit short if you rush through the main story. But there are enough side-quests to help stretch things out and the desire to find all the unlockables is enough to encourage players to either take their time or go though the game a second time.

Earlier this year it was not clear if Brutal Legend would ever actually make it to the market. Had this happened gamers, would truly have missed a fun, visually unique and pleasing world that every mature player should enjoy, even with its limited short comings. However, other titles from Tim and company have also received similar compliments in the past and still garnered less than stellar sales when they were first released. Now is the chance for gamers to reward publishers for releasing quality titles by voting with their wallets. Brutal Legend is a game that may seem a bit different at first glance, but the important thing is that it's a labor of love and it's fun. The variety of missions and humor mix well and should be enough to hook anyone. The professional voice acting allows you to enjoy the dialog and cut-scenes in a console title for once. If you don't want to take a chance on a game that seems a little off the beaten path, that's your loss. But as Twisted Sister (a consummate Butt Rock band) once said "I Wanna Rock!"

the GOOD
This game's Art Style is straight out of a Frank Frezetta painting with great voice acting and expressive facial animations. It also makes for excellent good humor though out the majority of the game.

the BAD
This game can defininately be short and disappointing if you only stick to it's main story. Grunts can also become very confusing if battling the same faction in the strategic missions. The vehicle controls may take some practice for people who are used to a keyboard and mouse also.


NOTICE: this review will be archived into a list form after 30 days of use.

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